Watch The Kitchen Table
Illustration · An office at the end of the day, seen from the boss’s chair: a personnel file open on the desk blotter under a green-shaded lamp, a book open beside it, a cigarette smoking in the ashtray, and across the desk an empty chair, facing him. Not drawn from a photograph.

Daily Reflections · December 19

Understanding the Malady

The Big Book’s chapter for employers may have been written by a man who had lost his own job to drink, and within a year of the book he was drinking again.

Today’s reading

The reading for December 19 in Daily Reflections, AA’s book of short readings by members. Its passage comes from Alcoholics Anonymous, the Big Book, page 139, in “To Employers,” the chapter written to a boss about a valuable man who drinks: two sentences on the boss’s own reaction to him.

This page doesn’t reprint it. Read it free at aa.org, then come back for the asks.

Read it at aa.org

Themes and asks

  1. It comes back

    The passage doesn’t pretend that knowing more about alcoholism settles the matter. Read beside today’s title, understanding may be something to keep practicing rather than something learned once.

    • When someone keeps drinking, or keeps coming back after a slip, what do you feel first, before you think about it?
    • What do you know about alcoholism that you find hard to remember when it’s someone else’s?
  2. Looking down

    For the member who wrote the reflection, a flash of scorn for someone who keeps struggling to stay sober is a way of feeling above them, and a false one. Having had the illness themselves, they find, doesn’t keep it from happening.

    • Whose struggle in the program do you find yourself judging, even silently?
    • What do you tell yourself about why you’re sober today and they aren’t?
  3. Grace

    The member puts the distance between them and the one still struggling down to grace. Read beside the history below, that distance can be short: some of AA’s first members drank again after years sober.

    • What would have had to go differently for you to be where they are?
    • How do you greet someone the first time they come back after drinking?
  4. Worth the trouble

    In the Big Book, the paragraph right after the passage asks the employer to look at what his man is like sober, and whether he’s worth the effort. Read beside today’s title, that suggests seeing the whole person, not only the drinking.

    • Think of someone in the rooms who gets under your skin. What’s good in them that you’ve stopped seeing?
    • Who once saw more in you than your drinking, and what did they do about it?

Behind the words

Come Back with Us

Today’s two sentences come from page 139 of the Big Book, in chapter 10, “To Employers,” which talks to a boss about a valuable man who drinks. Its writer begins with three good men he had fired for drinking, all three of whom later took their own lives, and then with himself: “What irony—I became an alcoholic myself!” In the loan copy, the draft sent out for comment early in 1939, the passage went on, telling the employer to check the feeling and “remember that your employee is very ill.” The printed book left that out.

Of the book’s opening chapters, Pass It On, AA’s biography of Bill W., counts at least ten as Bill’s. For this one, it says there is “some reason to believe” it was the work of Hank P., and Arthur S.’s timeline of AA history notes that he has been credited with all of it but its opening paragraph. Drinking had cost Hank a top job at Standard Oil of New Jersey, Lois W. remembered. Out of Towns Hospital, he was Bill’s first real success in New York, and he became Bill’s partner in a failing Newark business and in getting the book published.

The book came out in April 1939. Within a year Hank was drinking again, and the tellings disagree about when. Bill and Lois both tied it to a fight over moving the little office from Newark to Manhattan, which Hank wanted kept in New Jersey, and both brought in Ruth Hock, the office’s secretary: Bill said Hank wanted her to go with him, Lois that she had turned down his proposal. Pass It On, written later, says no one can say for sure what set him off, and that which came first, the drinking or the break with Bill, “will never be known now.”

Late in 1939, Hank sent Bill a memo arguing against moving the book business in with the Alcoholic Foundation’s office. Bill answered that he couldn’t agree, and that the members would like Hank “to come back with us very much.” It was hard, Bill wrote, to win the others over to Hank’s ideas, since they “sometimes feel that you are no longer one of them,” and he asked Hank not to take disagreement for unfriendliness. Pass It On reads the letter as a sign that Hank was already drinking.

As Bill remembered it, with Hank drinking and Ebby T., Bill’s own sponsor, still drinking too, the group asked itself, “If stalwarts like these can relapse, what is going to become of the rest of us?” It made them more watchful, he wrote, and Hank’s slip set off no others. In 1940 Hank, broke and shaky, signed over his shares in the book. Lois remembered him coming back to the program for a short while; Bill wrote that he never really recovered. He died in Pennington, New Jersey, in 1954, and Lois put his death down to drinking.

More on who wrote which chapter of the book: To Wives, in By the Carload. On Hank’s idea of publishing it themselves: Par value $25, in By the Carload. On the shares he signed over in 1940: Legacy, in By the Carload.

When, and why

When Hank drank again, as three books tell it, in the order each was written, on one line from January 1939 to the end of 1940. The gold dot on each line is April 1939, when the book came out with today’s chapter in it. The lines are this page’s.

  1. As Bill told itAA Comes of Age, 1957

    • Early spring 1940. Hank fights the plan for an office in Manhattan, on what Bill calls a “dry bender,” then goes on “a terrific bender after four years of sobriety.”
    • Why: the office, a job going badly, and not wanting to part with the book company or with Ruth Hock.
  2. As Lois told itLois Remembers, 1979

    • Spring 1940, after the office moves, in her order of events; she gives no date. “Soon, he was drunk and blaming Bill for Ruth’s refusal.”
    • His grudge against Bill: the move, giving back his shares in the book, and Ruth Hock turning down his proposal.
  3. As Pass It On found it1984, from Lois’s diary of 1939

    • By September 1939, five months after the book, the first sign in Lois’s diary: “Hank drunk, phoned Bill in the afternoon.”
    • Why: no one can say when he started or why, it says, though in time it looked bound up with how he had come to feel about Bill and AA.

Threads

Each one opens the calendar with its days lit up.

Sources
  • Alcoholics Anonymous. Works Publishing, 1939; fourth edition, AA World Services, 2001. Chapter 10, “To Employers” (the reading cites page 139; the chapter’s opening, and the paragraph after the passage).
  • The pre-publication manuscript of early 1939 (a loan copy), from a transcription. “To Employers.”
  • Pass It On. AA World Services, 1984. Chapter 9 (Hank P. at Towns Hospital), chapter 11 (who wrote “To Employers”), chapter 12 (Hank’s drinking again, Lois W.’s diary, his memo and Bill W.’s answer) and chapter 13 (his shares, and his later years).
  • Lois Remembers. Al-Anon Family Groups, 1979. Chapter 9 (Hank’s job at Standard Oil of New Jersey) and chapter 12, “Living Around” (the move to Vesey Street, his shares, Ruth Hock, and his later years).
  • Alcoholics Anonymous Comes of Age. Alcoholics Anonymous Publishing, 1957. “Service: The Third Legacy,” Bill’s talk at St. Louis, 1955 (the spring of 1940, and the group’s fright).
  • Arthur S., A Narrative Timeline of AA History (Hank P. and “To Employers”).
  • Daily Reflections. AA World Services, 1990. December 19 · aa.org

Something wrong here? A date, a name, a quotation? Let me know

Daily Reflections is AA’s book of readings for every day of the year, each written by a member about a favorite passage from AA’s literature. A Daily Reprieve gives each day questions to sit with and the story behind its words.